Wednesday, September 11, 2024

Retro Foreign

British Star Wars Weekly #57 - 60

Kingdom of Ice began in Pizzazz #10, but the magazine ended with issue #16 before the story was completed.  The ending of the story was first published in the British Star Wars Weekly #60.  Star Wars Weekly #57 - 59 contain the content from Pizzazz #10 - 16.

This story picks up where The Keeper's World ends.  Luke Skywalker, Princess Leia Organa, C-3P0, and R2-D2 make it to the ice world of Akuria Two in their recently repaired spacecraft, but they are unable to contact the Rebels forces there.  TIE Fighters suddenly appear and Luke lands the spaceship.  Outside the craft, they witness one of the TIE Fighters being shot down but they do not know from where.  They are then approached by big white ape-like snow creatures.  An extremely large mobile fortress, called the War Sled, appears and helps drive the snow creatures back and Luke and Leia board the fortress and meet "Colonel Odan", leader of the Rebel on Akuria Two.

The captured C-3P0 and R2-D2 are carried off by the snow creatures and Luke pleads with "Odan" to return to rescue the droids.  The droids are taken to an ice lair where they meet the real Colonel Odan who is working with the snow creatures.  Luke and Leia are really with Imperials and the fake Odan is drilling Leia for details about the Rebel Alliance's plans.  Luke distract "Odan" and reveals to Leia the War Sled had an onboard battle recently and Leia confirms this is not the real Odan.  The Imperial Commander returns with troops and takes Luke and Leia prisoner.  As the real Colonel Odan plans to rescue Luke and Leia, the Imperials scuttle the War Sled with Luke aboard.  Colonel Odan along with C-3P0, R2-D2, and the leader of the snow creatures, Fafnir, rescue Luke from the War Sled by crashing a snow craft into the sled and using power skis hidden aboard to escape before the sled rams into an ice canyon wall.

An ice storm appears and the group burns a trench into the ground to escape the deadly winds.  The ground collapses and they fall into an Ice Worm tunnel which they navigate using their power skis.  R2-D2 detects the Imperials above and the group stops but are attacked by an Ice Worm.  They drive the Ice Worm to the surface and use the tunnel it creates to exit the tunnel.  They see the outcome of the battle between the Ice Worm and Imperial Stormtroopers.  Back on the power skis, they chase after the Imperial Commander and the captured Princess Leia on an Imperial hover craft.  Luke is able to catch up to the snow flyer and disables it.  They quickly repair the flyer and use it to destroy the gate to an Imperial base.  The snow creatures using power skis to attack the base and Luke steals a TIE Fighter to blast the base from above.  After helping defeat the Imperial stronghold, Colonel Odan agrees to join forces with the Rebel Alliance.

This is an extremely fast paced story full of cliffhangers.  What makes it most interesting are the parallels to the first half of The Empire Strikes Back.  In one chapter of the story, a blurb reads "The Empire Strikes!" which would be used again by Marvel on the cover of Star Wars #18.  This, along with an ice covered planet reminiscent of Hoth, ice creatures similar to Wampas, a giant worm-like creature similar to the Space Slug, a snowstorm, and craft specifically designed for a frozen environment, make this story a fun and interesting read.  We will never know if George Lucas was inspired by situations from this story.

Walt Simonson and Klaus Janson provide the artwork for the first four chapters of the story, then Dave Cockrum and John Tartaglione take over to finish the story.  Walt Simonson is also the guest artist for Star Wars #16 which introduces Valance the Hunter and provides the artwork for Star Wars issues #49 - 62 and 66 in the regular title.  Dave Cockrum, best known as the co-creator of X-Men's Nightcrawler, Storm, and Colossus also worked on the cover for Star Wars issues #5, 6, and 17.

Two of the four issues contain photo covers.  My opinion on this has changed over the years, but back in the 1970s, getting photos of the Star Wars movie were a treat for fans because the movies were not readily available for home viewing until 1982.  Prior to that, I remember enjoying Star Wars photos on my school notebooks and folders, Topps trading cards, the inserts in the novel adaptation, the young reader storybook, and wherever else I could find pictures.  These days, photo covers are not nearly as exciting and I much prefer art covers, but I'm positive if Marvel had published photo cover on the U.S. title back in the late 70s and early 80s, I would have devoured them with delight.

Star Wars Weekly #57a - Marvel Comics, England (March 28, 1979)
Star Wars Weekly #58a - Marvel Comics, England (April 4, 1979)
The cover to Star Wars Weekly #59 shows Luke, C-3P0, and R2-D2 falling after the trench they help create collapses in the ice storm.

Star Wars Weekly #59a - Marvel Comics, England (April 11, 1979)
Luke is disabling the Imperial snow flyer on the cover of Star Wars Weekly #60.

Star Wars Weekly #60a - Marvel Comics, England (April 18, 1979)
The content of Star Wars Weekly #60 was first released to U.S. readers in the Marvel Illustrated Books Star Wars published in 1981.

Tuesday, September 10, 2024

Retro Dark Horse

Star Wars (1998) #8

Star Wars (1998) #8 is the second issue of the six part storyline titled "Outlander: The Exile of Sharad Hett".  Ki-Adi-Mundi is packed and waiting for his ride to Tatooine when he is visited by a jedi called The Dark Woman.  They briefly chat about Ki-Adi-Mundi's accomplishment of serving on the the 12-member Jedi Council as a Jedi Knight instead of a Master and The Dark Woman's past failure as a Master to a female Padawan.  The Dark Woman also tells Ki-Adi-Mundi of her premonition that he will face great danger on Tatooine.

The next day on Tatooine, Aurra Sing is torturing patrons at a cantina in Mos Eisley.  Once of her victims calls her a Jedi which prompts a violent response of "I'm not a Jedi!".  She leave the establishment to stake out a docking bay and spots Ki-Adi-Mundi arriving on Tatooine.  Ki-Adi-Mundi meets one of Jabba's men outside and Aurra Sing immediately recognizes the Cerean.  At Jabba's Palace, Ki-Adi-Mundi and Jabba exchange tense words as Ki-Adi-Mundi is not happy with the previous incident where Jabba captured his daughter.  Ki-Adi-Mundi asks for safe passage on Tatooine which Jabba freely offers.  Jabba further offers a skiff for transportation and four henchmen to assist the Jedi.  Ki-Adi-Mundi accepts the offer and Aurra Sing stealthily follows them out to the desert from her speeder bike.  In the desert, a sandstorm approaches and Ki-Adi-Mundi realizes too late that Jabba has set him up.  He is attacked by Jabba's minions as the storm intensifies.

Ken Kelly provides the cover.  Ki-Adi-Mundi is fighting one of Jabba's goons on the skiff while the sandstorm is approaching.

Star Wars #8b - Dark Horse Comics, U.S. (July 1999)
newsstand
Fans joke about how the supposedly remote planet of Tatooine is arguably the setting for more stories than any other planet in Star Wars.  Despite this six part series being one of those stories, it is one of the first comic books to detail lore about the Tusken Raiders.

Monday, September 9, 2024

Editorial

I find your lack of faith disturbing.

Star Wars Tales #16b - Dark Horse Comics, U.S. (June 2003)
This will be a day long remembered.  It has seen the end of Kenobi, it will soon see the end of the Rebellion.
- Darth Vader

Modern Marvel

Star Wars: Darth Vader Annual #2

Darth Vader Annual #2 is a hidden gem for fans of Rogue One and I immensely enjoyed this comic.  An Imperial shuttle hosting Governor Wilhuff Tarkin lands at the Citadel Tower on Scarif.  The Imperials at the base are surprised by Tarkin's visit as he proceeds swiftly to the data vaults.  Inside, Vader is parusing the data concerning Project Stardust.  Tarkin scolds Vader for his unauthorized viewing of the Tarkin Initiative projects.  Tarkin contacts the Emperor who proceeds to instruct Vader to help uncover sabotage of the Project Stardust on Geonosis.

Vader meets Commander Orson Krennic on Geonosis and the pair are saved by Vader when an explosion occurs covering them in rubble.  Krennic blames Tarkin for the murder attempt but Vader dismisses this when Krennic is unable to offer proof.  Krennic then catches Vader up on the sabatage incidents that have plagued the project.  Later, Vader meets with an Imperial Loyalty Officer who mentions Galen Erso.  Vader travels to the Erso family dwelling on Coruscant and uncovers a cache of Kyber Crystals.  Additionally, he discovers an Ootheca egg which he takes back to Geonosis to confront Krennic with.  Krennic says that Erso receives shipments from Geonosis to assist with the project and suggests the egg was sent by a rogue infestation of Geonosians who are forbidden from breeding freely.  Vader, finally knowing who the saboteurs are, leads a contigent of Death Troopers to the Korakanni Mound where he dispatches the Geonosians and their rogue queen.

Later, on Tarkin's spacecraft the Carrion Spike, Vader explains to Tarkin how he dealth with the insurgents.  Tarkin is pleased and Vader tells Tarkin he knows Project Stardust is a planet killing weapon which he surmised from the Kyber Crystals.  The dialogue between the pair foreshadow the events of Star Wars:

Darth Vader: They are no mere energy source.  Their energy can be directed.  Made aggressive.

Governor Wilhuff Tarkin: Very insighful, Lord Vader.  But you do not seem pleased by the revelation.

Darth Vader: I distrust your reliance on this technological aberration.  I rely on on the Force.  As should we all.

Governor Wilhuff Tarkin: And yet, aren't you a technological aberration, Lord Vader?  Your suit is not a product of your occult mysticism.  It is design.  It is a machine.  Ah, I think I see the truth of it.  You want to be the only technological aberration.  You, the Emperor's most frightening enforcer.  Our battle station will rob you of that title, won't it?  You will no longer be the most terrifying thing in the galaxy.  And if you're not that ... then what are you?

Darth Vader: Be careful Governor Tarkin.  If you invest too much of yourself in this battle station... it may end up your tomb.

Governor Wiluff Tarkin: Is that a threat, Lord Vader?

Darth Vader: No, Governor.  Merely a prediction.

The story concludes on Alpinn, where Lyra Erso, Galen Erso's wife, is mining Kyber Crystals.  A droid enters and warns her if she and Galen continue their work, countless galactic citizens will die.  She quickly evacuates the planet to retrieve Galen and her daughter Jyn Erso because she fears they will need to go into hiding.

The standard cover for the Darth Vader annual is the superior cover and can be attributed to the interior story.  Vader is standing on Geonosis, the Death Star in the background, as he is flanked by Imperial Death Troopers.

Star Wars: Darth Vader Annual #2a - Marvel Comics, U.S. (July 2018)
The variant cover for this annual is by Rahzzah.  Rahzzah has produces some truly beautiful covers over the years, but unfortunately, while this cover is competent, it is genericly bland.

Star Wars: Darth Vader Annual #2b - Marvel Comics, U.S. (July 2018)
Rahzzah variant

Saturday, September 7, 2024

Editorial

The universe is expanding. - Alvy Singer

This month, Marvel Comics is ending their ongoing Star Wars and Darth Vader titles which will take us up to the Return of the Jedi.  Longtime Star Wars comic fans have seen stories in the period between A New Hope and Return of the Jedi so many times now: the original 1977 Marvel title, the newspaper stories, the Dark Horse Empire and Rebellion titles, and finally the modern Marvel titles.  I'm not opposed to having more stories with the original trilogy heroes, but moving beyond the original trilogy, beyond the nine part Skywalker saga, is necessary for the health of the brand.  Let Dave Filoni and Jon Favreau fill in the timeline between Return of the Jedi and The Force Awakens and unshackle Marvel so they can innovate without restrictions.

The High Republic titles have been standouts in an otherwise repetitive landscape, but even those have limitations due to the coordinate for the different media partners.  I don't know if Lucasfilm is dictating this, but Marvel needs to carve out a piece of the Star Wars galaxy far removed from what is familiar.  We need new characters and situations set in different places and times.  Dark Horse did this numerous times through their stewardship of the brand and Star Wars fans are richer for it.  Lucasfilm should be treating the comics as a proving ground for new ideas, new characters, and new eras.  Some of the most beloved stories and characters from Dark Horse came from titles far removed from the original trilogy.  Who is the next Nomi Sunrider, Ulic Qel-Droma, Exar Kun, Zayne Carrick, or Dass Jennir?  Why not utilize the unbound potential of comics to experiment and discover new stories and new situations that will enthrall Star Wars fans?

The Star Wars universe can be enormous.  In fact, we know from the New Jedi Order novels and reinforced by revelations in the Ahsoka television series, we are not even confined to just the one galaxy to tell stories.  It is time for Marvel to open up and explore.

I love the Star Wars universe.  I love the Star Wars comics.  But I want to see the universe grow.

Friday, September 6, 2024

Modern Antarctic Press

Steam Wars: First Empire Chronicles #1 and 2

Antarctic Press released 2 issues of Steam Wars: First Empire Chronicles which collect issues from the Steam Wars: First Empire and Steam Wars: Strike Leader titles.

Steam Wars: First Empire Chronicles #1a - Antarctic Press, U.S. (September 2016)
reprints Steam Wars: First Empire #1 and 2
Steam Wars: Strike Leader #1
Steam Wars: First Empire Chronicles #2a - Antarctic Press, U.S. (April 2018)
reprints Steam Wars: Strike Leader #2 and 3
Steam Wars: First Empire #3

Thursday, September 5, 2024

Modern Marvel

Solo: A Star Wars Story #1

Marvel Comics did not start publishing the adaptation of the Solo: A Star Wars Story until October 10, 2018, over 4 months after the movie was released to theaters.  (Marvel also previously adapted Rogue One: A Star Wars Story several months after it's release to theaters.)  The first page of the adaptation reveals why this was not necessarily a bad thing for Star Wars comic fans as it shows a scene not from the movie as Lady Proxima is instructing Han on his next job for her while Qi'ra is looking on.  There is another notable addition to the story, a more detailed look at Han's insubordination that led to his being kicked out of the Imperial Navy Academy.

The first issue contains a Phil Noto montage of heroes and villains on the cover.

Solo: A Star Wars Story #1a - Marvel Comics, U.S. (October 2018)
There is also a photo variant showing Han Solo in a pose reminiscent of publicity photos of Harrison Ford from the original movie back in 1977.

Solo: A Star Wars Story #1b - Marvel Comics, U.S. (October 2018)
photo variant
Another montage cover showing the main heroes from the movie is provided by Leonard Kirk.

Solo: A Star Wars Story #1c - Marvel Comics, U.S. (October 2018)
Leonard Kirk variant
Finally, my favorite cover is the moody Luke Ross artwork showing the first meeting between Han Solo and Chewbacca.  While this is different than how Han meets Chewbacca in Legends, I still find the canon portrayal compelling.

Solo: A Star Wars Story #1d - Marvel Comics, U.S. (October 2018)
Luke Ross variant